Framing Ménerbes Fall Screenings
THE FIREHOUSE STAGE
OCTOBER 15, JOHNSON CITY, NY
6PM RECEPTION 7PM SCREENING
8PM CONVERSATION WITH THE FILMMAKER
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THE UNIVERSITY OF MICHIGAN
OCTOBER 25, ANN ARBOR, MI
4:30 DOORS OPEN 5PM SCREENING
6PM CONVERSATION WITH FILM ARTIST CHARLI BRISSEY AND THE FILMMAKER
THE EVENT WILL BE FREE AND OPEN TO THE PUBLIC
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CINEMAPOLIS
NOVEMBER 2, ITHACA, NY
3PM SCREENING 4PM CONVERSATION
WITH FILM ARTIST CHRISSY GUEST AND THE FILMMAKER
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THE MAGIC OF MÉNERBES WITHOUT FLYING TO FRANCE
Framing Ménerbes frames a stunning village in Provence, its natural beauty of far-reaching vistas, mountains, vineyards, and the light for which it is known. The film combines the vicarious excitement of a travelogue with a documentary-like portrait of an artist’s creative process, immersing the viewer into the picturesque landscapes, charming architecture, and beauty of dance. A dozen participants from the region joined as performers in this film which illuminates the inspiration to produce art. The film had its European (France) and US (NYC) premieres in June 2025.
ACCLAIMED CHOREOGRAPHER DONALD BYRD ON FRAMING MÉNERBES:
“I think the first thing I thought was how beautiful the place is and how lucky those people are to live there. And I also thought that you think it’s beautiful too. The beauty of the place was seductive but not in a kind of sinister way, it had a sweetness about the seductiveness of the place, and I thought that that’s what you were responding to, that emotional sense of a place, how you felt being there, how you felt being around and with those people, and in a sense it felt a bit like a valentine to them. And so I think that was an interesting way to engage with it. I’m an artist too, so most of us, we make things about ourselves. Not that I’m saying that ‘yourself’ was not in it, but you were sharing yourself in terms of how you perceived these people, and with us as a result of that. There are things about it that I found for that reason moving. I found it moving because you have a kind of generosity that way, with the people and the place. That generosity always moves me. I’m not a particularly generous person. So when I see generosity in other people I’m kind of touched by it. I was touched by that. You are, I would say, an abstract, non-linear thinker and the film is kind of an abstract non-linear piece. And what that does I think is it invites us as a viewer to make our own connections. And I like that. You don’t tell us what to think, what to feel, any of that stuff. And I really appreciate that.”
